Showing posts with label medieval. Show all posts
Showing posts with label medieval. Show all posts

February 5, 2009

Conceit by Mary Novik

Conceit (Merriam-Webster) 
1 a (1): a result of mental activity: thought (2): individual opinion b: favorable opinion ; especially : excessive appreciation of one's own worth or virtue 
2: a fancy item or trifle 
3 a: a fanciful idea b: an elaborate or strained metaphor c: use or presence of such conceits in poetry d: an organizing theme or concept   
I’m an enthusiastic historical fiction fan and I especially like medieval fiction, maybe because it is not as popular as other periods, and I’m always looking for unique concepts.  I’d been to the bookstore numerous times indecisive whether to buy Conceit and I finally gave in because the great cover captivated me. The story is about the famed love John Donne has for his wife Ann, their children and in particular John’s daughter Pegge and her life.  On a broader level it is about the many facets of love and death set in the 17th century. I really really wanted to like this book but I just could not warm to it.  Normally I read a book within a week no matter how many pages but Conceit took just under two!   
The first 75 pages were plodding and confusing…and then I figured out the general direction of the plot and reading became smoother. Conceit was engrossing in a way, that of being a voyeur to disturbing behavior and unable to look away, as if spellbound with witchery. I didn’t mind the gore or rude language (Novik seems to detail every imaginable bodily function and irritating humor of the period), the complex, rambling ideas, and skipping back and forth through time, rather I detested all the characters.  The characters were for the most part brash, uncouth, self-involved, superstitious and unlikable. To be blunt I finished the book then threw it across the room. What I have realized about myself is that I need to like the characters to enjoy the story.    
But Conceit IS a masterful, authentic debut by Mary Novik and I would recommend it to those who prefer challenging, unique fiction.   
As an aside, there were a lot of foreign words I did not know the meaning of and didn’t bother to look up…I would have a dictionary with you reading this book.  For other medieval fiction I would recommend Ariana Franklin's Mistress of the Art of Death series, Elsa Watson's Maid Marian: A Novel, any of Elizabeth Chadwick's novels, The Mists of Avalon by Marion Zimmer Bradley and Tracy Chevalier's Girl With a Pearl Earring and The Lady and the Unicorn.
My Rating: 3.0   

January 6, 2009

The Serpent's Tale by Ariana Franklin

The Serpent’s Tale by Arianna Franklin is the second book in the Mistress of the Art of Death series set in Medieval England during the reign of King Henry I (Plantagenet). I am not providing details of the first book, Mistress of the Art of Death, or a summary of The Serpent’s Tale. In The Serpent’s Tale the author conveys more a sense of delight in telling a tale of murder than in Mistress of the Art of Death, which I felt more a sense of dread and doom throughout, plus the child murders being a very heavy subject it would have been difficult to impart lightness to it. I thought the second book in the series definitely had more elements of humor…I chuckled out loud many times throughout the book…I didn’t expect to do so. It has been quite awhile since I read Mistress of the Art of Death…sufficient length of time between its reading and The Serpent’s Tale to have no expectations for the second book’s story. I expected to enjoy it less after a few reviews I had read seemed to prefer the first book, but I found the second story more thrilling and engaging…probably due to less description of the injustices done to dead bodies and Adelia’s forensic methods. The first story dealt with child murders so the subject material was more difficult to read in the first place, plus The Serpent’s Tale was more humorous. The Serpent’s Tale is more straight mystery without much of the interwoven “romance” between Adelia and Rowley present in Mistress of the Art of Death, though we are still quite aware of their feelings toward each other. There were many nuances of thought and detail that added suspense and interest to the portrayal of Medieval England in this story. I appreciated rich descriptions of Godstow, the Thames, the tower, the winter climate; ideas of religion, forward thinking and feminism. Some might not appreciate that Adelia is now in this situation of having born a girl child out of wedlock and still having unresolved feelings for Rowley, now a Bishop, and employed in a profession such as hers. But I think the new plot element – Adelia having born a girl child (replacing Ulf in the first book) – is essential to balance the story, adding a softness to juxtapose the brutal nature of the murders Adelia investigates, and even Adelia herself, who struggles to balance the more analytical, unemotional facets of her personality, with emotional desires of home and love. The book’s title is The Serpent’s Tale, ergo there must be a serpent…I guessed the identity of the murderer on page 272, only about 60 pages before the murderer is actually revealed. I’m amazed I reasoned it out, as there were a lot of oddball twists and turns as roadblocks, but there are a few clues pointing you in the right direction. The Serpent’s Tale has a really good suspenseful plot and then a great reveal and explanation. Arianna Franklin definitely left some loose ends that can be used in future stories…Will the “Serpent” return?...Does Adelia go back to her homeland?...What will happen with Rowley? For the last question King Henry tells Adelia that she will “Never be safe”. Trying not to give away too much of the plot here but King Henry’s statement allows for more interaction between Rowley and Adelia in the future. Only a couple of things annoyed me. First that there was not a map of the area at the beginning of the book like there was in Mistress of the Art of Death. Second, the way Arianna Franklin treats the intimacy between Adelia and Rowley when he is waiting for her in her room at Godstow. I think the description was just too metaphorical…it surprised me and seemed so unnecessary when a more straightforward wording would have been better. Why must need cover up the physical affirmation of their feelings in all the mumbo jumbo? Anyways, this was only one very short paragraph in an otherwise superb story. The author has hit her stride and I am very much looking forward to the third book, Grave Goods, due to be released in trade paperback February 3rd. My Rating: 4.5 Chapters

September 11, 2008

Girl With a Pearl Earring by Tracy Chevalier

Girl with a Pearl Earring captured me with its seeming simplicity yet taught emotion. At 16, Griet must leave the home of her Protestant parents to become a maid of the Catholic painter Vermeer and live in the household with his wife, their five children and a couple other characters. As the story unfolds Griet becomes more and more involved with helping Vermeer in his studio, which Griet is to keep a secret from most of the rest of the household. 

Although not much seemed to happen quickly in this story, I was gripped by the anxiety that Griet always carried with her, which kept me engrossed with the book. She always sensed that there would be life-altering consequences if all was revealed and that she would need to make choices where before she was not allowed to make any choices of her own. The conclusion of the story was not typical and very satisfying. This is a fine work into the insight of how the painting by Vermeer may have come to be.  

My Rating: 4.0  

Chapters